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BIG SUCCESS FOR THE BOOK BY EMILIO ISGRO' "COME DIFENDERSI DALL'ARTE E DALLA PIOGGIA" ("HOW TO DEFEND AGAINST ART AND RAIN") CURATED BY BEATRICE BENEDETTI

"While the manager's ethic is guaranteed success, that of the artist is certain failure. And for an artist it is always better to lose in the light than to win in the dark."

Emilio Isgrò

The impact on contemporary culture of Emilio Isgrò – the "father of deletion" and one of the most incisive and precursory artists of the past fifty years – is to be found in the visual arts and in his critical and self-critical power. He is now the figure to turn to for those who seek artists with the ability to reflect and doubt. This is a society that, with its submissive biennials and sanitised fairs, like a vast mall of taste and thoughts, has paradoxically ended up by giving art – once the queen of all dissenters – the task of building consent. It has made it one of the most docile instruments of global conformism, with "provocations" worthy of corporate entertainment shows.

The title of the book, Come difendersi dall'arte e della pioggia – literally "How to Defend Against Art and Rain" –  does not mean one can do without art (just as one cannot do without water), but simply that the time has come to free it from the "Platonic" darkness into which it has sunk, and to restore it to a more fruitful and fertile form of "Aristotelian" transparency. In the book, Isgrò explicitly suggests this in his sarcastic essay entitled "Manifestino dell'arte epica" – the "little manifesto of epic art" – in which deletions are called upon to act as a cathartic shield "between the eye that beholds and art that deceives."

Edited with passion and precision by Beatrice Benedetti, the book contains a series of previously unpublished writings, as well as essays and statements of poetic vision that have appeared over many years in art magazines and in newspapers such as the Corriere della Sera, Il Giorno and Il Sole 24 Ore. There is also a conversation with Arturo Schwarz and an interview by Alberto Fiz, editor of the previous collection of the artist's writings, La cancellatura e altre soluzioni (Skira, 2007).

INFO: Maretti Editore


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HERMANN NITSCH @TATE LONDON FOR "A BIGGER SPLASH. PAINTING AFTER PERFORMANCE"

This exhibition will take a new look at the dynamic relationship between performance and painting since 1950. Contrasting key paintings by Jackson Pollock and David Hockney, the exhibition considers two different approaches to the idea of the canvas as an arena in which to act: one gestural, the other one theatrical. The paintings of the Vienna Actionists or the Shooting Pictures of Niki de St Phalle will be re-presented within the performance context that they were made, and juxtaposed with works by artists such as Cindy Sherman or Jack Smith that used the face and body as a surface, often using make-up in work dealing with gender role-play. The exhibition proposes a new way of looking at the work of a number of younger artists whose approach to painting is energised by these diverse historical sources, drawing upon action painting, drag and the idea of the stage set.


Until April 1, 2013

Info: www.tate.org.uk

 


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64.MALAKTION BY HERMANN NITSCH @ MART MUSEUM, ROVERETO (TN)

During the Contemporary Art Day planned for Saturday, 6th October 2012, the Mart di Rovereto will be hosting the 64th Malaktion (Painting-Action) by Hermann Nitsch, one of the founders of the Viennese Actionism movement and designer of Das Orgien Mysterien Theater (Theatre of Orgies and Mysteries), which indissolubly combines life, art, philosophy, music, theatre and painting.

Saturday 6th will mark the key moment in an event lasting an entire week, from 2nd to 7th October: Nitsch and his assistants will be constructing the performance in the first-floor rooms of the Mart during eight days of pictorial action. Through movements of their hands and bodies, colours of various consistencies will be sprayed, spread, dripped and poured on to large white canvases laid out on the floor and walls.

The canvases will then be raised and placed on the rooms of the walls, remaining visible until 8th October. In this way, the artist will fulfil the Wagnerian ideal of the total work of art – a single complex between result and process – that has always been a source of inspiration to Nitsch.

The event is free and is realised by the Mart in collaboration with the Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch of Naples.


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EMILIO ISGRO' INTERVIEW BY LUIGI MENEGHELLI ON FLASH ART, ITALY (JUNE ISSUE)

Emilio Isgrò interviewed by the art critic and curator Luigi Meneghelli on Flash art Italy (June issue). Where's art going? Which is the artist's role in the XXI century? Such deep touching matters are discussed by the two intellectuals. Enjoy the reading.

http://www.flashartonline.it/index.php


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LIU BOLIN IN FAVOR OF CHILDREN'S RIGHTS

Liu Bolin, already well known for his performances in which disappears in the various environments surrounding, lends his art in favor of Unicef​​. The artist has created this image for the Chinese campaign of the organization that takes care of abandoned children or violated. A generous genius!


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BOXART @ BOLOGNA ART FAIR 2012

Enjoy the gallery on our Facebook page. Stay connected!


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LIU BOLIN GOES ALL OVER THE WORLD (BETWEEN THE VEGETABLES)

 

The Liu Bolin shot in a Chinese supermarket (Beijing) has been spread worldwide. From the China Daily to magazines and websites all over the world. Click here to read the news.

 


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ONE WEEK MORE TO VISIT THE GENTLEMEN OF VERONA SHOW

 

One week more to visit the show The Gentlemen of Verona, at the Modern and Contemporary Art Gallery Palazzo Forti, curated by Andrea Bruciati. The exhibition will close Saturday the 14th instead of the 7th. Enjoy it!


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EMILIO ISGRO'. ONE (BETWEEN 25) TO KEEP AN EYE ON FOLLOWING THE "MF" GUIDE LINE

The financial magazine “Milano Finanza” indicated Emilio Isgrò as one of the 25 artists to keep an eye on. Read the top list by Alberto Fiz.

 


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HERMANN NITSCH - STRUCTURES

architectural drawings, scores and realizations of the o.m. theater

4 November 2011 - 30 January 2012
For the first time in Austria, the Leopold Museum will be presenting a museum-based examination of the drawn and graphical oeuvre of Hermann Nitsch (*1938). At the centre of this exhibition will be Hermann Nitsch’s architectural designs, as well as early sketches for monumental compositions influenced by Gustav Klimt, Egon Schiele and Oskar Kokoschka, informal scribbled drawings, sketches from various actions, colour scales for projections, scores for his music and printed graphics.

“IF IT CAN BE SAID THAT ALL OF CREATION IS MY BODY, IT CAN ALSO BE SAID THAT BEING THAT WHICH PORTRAYS ITSELF IS THEATRE, THE DRAMA OF THE WORLD’S GENESIS AS IT OCCURS, THE CREATION OF BEING. EVEN SO, LIFE BUILT ITSELF ARENAS, CULT SITES, TEMPLES AND CHURCHES, WHERE MASSES OF THE THEATRICAL, OF THE DRAMATIC ARE CELEBRATED. THROUGH THEATRE, BEING SHOULD CARVE ITSELF OUT IN A CONCENTRATED, ESSENTIAL WAY, BRINGING ITSELF INTO THE CONSCIOUSNESS OF HUMAN BEINGS. TRIUMPH OF THEATRE.”

(Hermann Nitsch: DAS SEIN. zur theorie des orgien mysterien theaters [being], Vol. 2, STYRIA, 2009, p. 634)

Info: Leopold Museum, Wien


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ISGRO' GIVES A FACE TO THE READING

Emilio Isgrò illustrates the new magazine "La Lettura", in the newspaper stands with "Il Corriere della Sera". On January the 8th, 2012.

 


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THE GENTLEMEN OF VERONA_Palazzo Forti_September 24 , 2011 – January 8, 2012

On Saturday 24th September 2011 at 6pm the Palazzo Forti Modern Art Gallery in Verona held the opening of the exhibition “The Gentlemen of Verona: experiments on the contemporary in Italy ”, by Andrea Bruciati.

The exhibition has been made possible due to the involvement of the Verona Culture Department and the fundamental contribution of the Verona Contemporary Association which organises the event in collaboration with the Palazzo Forti Modern Art Gallery. The association is non-profit and is designed to promote awareness of regional contemporary art. Its board is made up of the most important galleries in Verona which, with their commitment, are already working actively in offering contemporary art events in their galleries (Artericambi, Boxart, Galleria dello Scudo, FaMa Gallery, La Giarina contemporary art, MARCOROSSIcontemporary art, Studio la Città), along with the founders of ArtVerona, collectors and prominent figures in the organisation of cultural events.
The project is a clear sign of how strongly private galleries wish to open a dialogue with the city's public administration, providing further stimulus to increasing awareness of creativity today and tomorrow.
This initial experiment, designed and created by Andrea Bruciati, led to the important exhibition “The Gentlemen of Verona: experiments on the contemporary in Italy”. The centrepiece of the exhibition is the wealth of the artistic offerings which has characterised contemporary art in the region, through the works of great authors who have marked the history of Italian art over the last decade and beyond.
The exhibition presents the works of 21 artists, divided up into generations: firmly established artists, mid-career artists and budding young artists. Some of the works have rarely been displayed, while many are brand new or have been specifically created for the exhibition, demonstrating the powerful creative force which has characterised this part of Italy for years.
As the curator Andrea Bruciati underlines, “culture is not a waste of time because, especially when talking about contemporary art, it is needed in the present in order to establish an access channel between our own reality and the changes occurring and the projection of our dreams and ideals, in order to imagine the realisation of these. Finding legitimation in individual utility, such as the emotions and critical intelligence which it is able to generate, it creates a better world for the collective interest”.
As part of this important exhibition, a supporting bilingual Italian/English publication will be created which will include interviews with all stakeholders involved, a great and rich iconography pertaining to the production of the artists in the exhibition as well as unique photographic documentation relating to the history of the galleries involved.
 
ARTISTS
FIRMLY ESTABLISHED ARTISTS
Luigi Carboni (Pesaro, 1957)
Angelo Filomeno (Ostuni, 1963)
Franco Guerzoni (Modena, 1948)
Emilio Isgrò (Barcellona Pozzo di Gotto, 1937)
Aldo Mondino (Turin, 1938 - Altavilla Monferrato, 2005)
Giovanni Morbin (Valdagno, 1956)
Luigi Ontani (Montovolo di Grizzana Morandi, 1943)
 
MID-CAREER ARTISTS
Anna Galtarossa (Verona, 1975)
Andrea Galvani (Verona, 1973)
Daniele Girardi (Verona, 1977)
Paolo Maggis (Milan, 1978)
Andrea Mastrovito (Bergamo, 1978)
Sissi (Bologna, 1977)
Alessandro Roma (Milan, 1977)
 
PROMISING YOUNG ARTISTS
Thomas Braida (Gorizia, 1982)
Tomaso De Luca (Verona, 1988)
Elio Germani (Trieste, 1981)
Valerio Nicolai (Gorizia, 1988)
Agne Raceviciute (Klaipeda, 1988)
Dragana Sapanjos (Koper, 1979)
Giulio Squillacciotti (Rome, 1982)
 
Info: www.studiopesci.it; www.palazzoforti.it
 
Press office: Studio Pesci 051.269267 fax 051.2960748 info@studiopesci.it
 


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BOXART SMARTPHONE AND TABLET FRIENDLY. PLEASURE WITH COMPATIBLE ART

After the virual tour, the Facebook page, Flickr, and other platforms, boxartgallery.com offers the its fans News, shows and Artworks, within arm’s reach on every smartphone and tablet.

 


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MARCO CINGOLANI ON THE "LIVE!" COVER, AT CENTRO PECCI DI PRATO TIL SEPT. 16

The two curators, Luca Beatrice and Marco Bazzini, have chosen Marco Cingolani for the cover of the exhibition catalogue of LIVE! Art meets rock, at Centro per l’arte contemporanea Luigi Pecci until September the 16, a suggestive perspective to show how the history of contemporary art and of rock music have followed parallel paths to contribute to the construction of the cultural universe of the last forty years.
Music and the visual arts have crossed and overlapped, over time, engendering a unified and consistent landscape; what draws them together is the performative dimension, articulated according to the specific occasion within an exhibition or a concert. LIVE! offers a parallel and original reading of historic events by exhibiting paintings, sculptures, installations, video clips, artworks, LPs, graphic works, photographs, magazines and films.

 Art:
Alighiero Boetti, Marco Lodola,Yoko Ono, Pattie Boyd, Andy Warhol, Robert Indiana, Ira Schneider, Gianfranco Gorgoni, Matteo Guarnaccia, Paolo Icaro, Franco Vaccari, Giulio Turcato, Marcello Jori, Dennis Oppenheim, Joan Jonas, Luciano Giaccari-MUel Videoteca Giaccari Varese, Urs Lüthi, Luigi Ontani, Victor Vasarely, Iain Forsyth & Jane Pollard, Peter Christopherson,William English, Jamie Reid, Linder, Martin Kippenberger, William Wegman, Patti Smith, Robert Mapplethorpe, Sandro Chia, Nicola De Maria, Alessandro Mendini, Massimo Iosa Ghini, Nam June Paik, Joseph Beyus, Edo Bertoglio, Jean-Michel Basquiat, Keith Haring, Francesco Clemente Robert Longo, Mark Kostabi, Paul Tschinkel-Innertube, Paul Tschinkel, Anton Corbijn, Malick Sidibé, Cheri Samba, Lonid Sokov, Thomas Billhardt, Nan Goldin, Massimo Kaufmann, Gilbert&George, Fischli&Weiss, Efrem Raimondi, Stefano Arienti, Marco Cingolani, Daniele Galliano, Massimo Barzagli, Raymond Pettibon, Karen Kilimnic, Pruitt-Early, Daniel Johnston, Richard Kern, Cindy Sherman, Christian Marclay, Macelo Gutman, Richard Billingham, Marc Quinn, Sam Taylor-Wood, Damien Hirst, Stanley Donwood, Aernout Mik, Tony Oursler, Nico Vascellari, Emanuele Becheri, Fausto Gilberti, David LaChapelle, Kon Trubkovich, Gianni Molaro

Music:
The Beatles, Rolling Stones, Pink Floyd, David Bowie, Sex Pistols, Grace Jones, Bob Marley, Renato Zero, U2, Vasco Rossi, Elvis Costello, Paul Simon, Nirvana, Blur, Oasis, Gorillaz, Bjork, Radiohead, Michael Jackson
Music:
The Beatles, Rolling Stones, Pink Floyd, David Bowie, Sex Pistols, Grace Jones, Bob Marley, Renato Zero, U2, Vasco Rossi, Elvis Costello, Paul Simon, Nick Cave, Nirvana, Blur, Oasis, Gorillaz, Bjork, Radiohead, Michael Jackson

TECHNICAL SHEET
Title LIVE! Art meets rock.

Curated by Luca Beatrice and Marco Bazzini

Dates May 21st – September 16th, 2011

Venue Centro per l’arte contemporanea Luigi Pecci
Viale della Repubblica 277, Prato
 


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ISGRO' ILLUSTRATES THE INTELLECTUAL MAGAZINE "ALFABETA". AVAILABLE FROM JUL 4

"Alfabeta2 n°11" (July/August), now available at your newspaper stand, is all signed by Emilio Isgrò. Isgrò, beyond the images, enriches the magazine with an interview by Andrea Cortellessa. More info clicking here


 

 


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LIU BOLIN AT GROUND ZERO, WALL STREET, HOUSTON AV. READ THE NY PRESS RELEASE

Liu Bolin's work stroke the US audience. The major american network, as The New York Times and CNN, talked a lot about the chinese artist.

click below to read the press release

Appearing and disappearing at ground zero

Where is Waldo?

The invisible man

 


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LIU BOLIN FOR THE FIRST TIME IN SWEDEN, AT FOTOGRAFISKA MUSEET UNTIL SEPT. 11

The invisible man

2 July – 11 September 2011

 

Fotografiska is proud to present the first exhibition of Chinese artist Liu Bolin in Scandinavia. Liu Bolin is renown for his series of images entitled Hiding in the City. What makes these images unique is that Liu Bolin literally paints himself into each scene. His body resembles “camouflage”, thereby making Liu Bolin both present and absent in each photograph. These cleverly orchestrated images have earned him the name, the invisible man. However, the story of how these images came about is less than lighthearted.
In 2005, the Chinese government ordered the demolition of the Beijing International Art Camp (BIAC), also known as Suojiacun Artists' Village, which housed several studios, including Liu Bolin’s. According to Liu Bolin, “even though the contemporary art scene in Beijing was developing rapidly at that time, the government decided that it did not want artists like us to live and work together.” In response to the demolition, Curator Zhang Zhaohui organized the exhibition Demolish! Demolish! Demolish! which included over 100 artists. The artists were invited to make works from the wreckage. According to Zhang Zhaohui, “The exhibition voiced the strength of the artists. Even though their studios were destroyed, the artists’ spirits would live on.” Liu Bolin’s contribution to the exhibition was entitled Hidden Demolition. It depicted Liu Bolin’s body painted to camouflage with the rubble. It was the first photograph that would later develop into the series of camouflage images exhibited at Fotografiska.
Camouflage, in the animal world, is used as an adaptive tool, a way to protect against predatory attacks. So why does Liu Bolin feel compelled to use paint to create the illusion of camouflage? Are Liu Bolin’s images a method for expressing the violation of his artistic freedom in China? He maintains that his art is a protest against the actions of the Chinese government, who is known for censoring their artists. Included in the exhibition is a work where Liu Bolin has camouflaged himself into the so-called “Bird’s Nest”, namely Beijing’s National Stadium for the 2008 Olympics. The stadium was created in consultation with renowned Chinese artist and architect Ai Weiwei. In April 2011, Ai Weiwei was taken into custody by Chinese authorities due to a wider government crackdown on critics of the communist regime. Liu Bolin inadvertently reiterated the tense relationship between Ai Weiwei and the government with this photograph, an image taken years before Ai Weiwei’s arrest. Liu Bolin’s work invites a discourse on the censorship and oppression outspoken contemporary artists are often confronted with in China. According to Zhang Zhaohui, Liu Bolin’s Hiding in the City series reflects Beijing’s political and cultural climate.
 
Liu Bolin (1973- ) was born in Shandong province where he completed his Bachelor of Fine Arts at the Shandong Arts Institute. He moved to Beijing in 1999, where he studied sculpture with Sui Jiangou at the Central Academy of Fine Arts. He graduated with a Master of Fine Arts in 2005. Although he studied sculpture, Liu, like many artists in China, frequently experiments with various mediums and techniques. Since his graduation, he has won international acclaim with his debut series Hiding in the City.
 
-Curator Michelle Marie Roy

Info: http://en.fotografiska.eu/

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